Batik Arif Tangi Rise

Tangi, which means 'to rise', became the underlying theme of the Bali and Nusa Tenggara collective event. According to Pandjaitan, many local cultural products deserve to be presented to the international stage. The process of creating the crafts by hand with natural materials is something that deserves high regard. A number of programs enhancing the local cultural products of the three provinces included tenun ikat (weaving) competitions, handicraft exhibitions, and traditional culinary presentations from the three provinces, as well as presentations from the aforementioned national fashion designers. 

Tenun (weaving) traditional cloth

Various tenun woven cloths from the three provinces were presented in a gallery layout where guests could examine the dazzling colors and motifs used throughout. A length of traditional Indonesian tenun is fully laden with traditional, sociological, artistic, and historical value, and tells of the developmental and enriching process of a certain community. As stated by Mrs.Tuti Pandjaitan, the head of the Kartika Chandra Kirana Regional Military Command IX/Udayana Association of Army Wives, "On a piece of tenun cloth, one may find the dedication and resilience of the hands of crafters who create it. The artistic superiority of this traditional cloth presents a long journey in a diverse, rich and meaningful tradition." The tenun is an heirloom, and its weaving processes will never change by replacing it with machinery. To weave a length of tenun requires a month or more to finalize.

Sumatra Batik

Jambi Batik. Trade relations between the Melayu Kingdom in Jambi and Javanese coastal cities have thrived since the 13th century. Therefore, the northern coastal areas of Java (Cirebon, Lasem, Tuban, and Madura) probably influenced Jambi in regard to batik. In 1875, Haji Mahibat from Central Java revived the declining batik industry in Jambi. The village of Mudung Laut in Pelayangan district is known for producing Jambi batik. This Jambi batik, as well as Javanese batik, influenced the batik craft in the Malay Peninsula.

Culture Indonesia

Depending on the quality of the art work, craftsmanship, and fabric quality, batik can be priced from several dollars (for fake poor quality batik) to several thousand dollars (for the finest batik tulis halus which probably took several months to make). Batik tulis has both sides of the cloth ornamented.

In Indonesia, traditionally, batik was sold in 2.25-metre lengths used for kain panjang or sarong for kebaya dress. It can also be worn by wrapping it around the body, or made into a hat known as blangkon. Infants are carried in batik slings decorated with symbols designed to bring the child luck. Certain batik designs are reserved for brides and bridegrooms, as well as their families. The dead are shrouded in funerary batik. Other designs are reserved for the Sultan and his family or their attendants. A person's rank could be determined by the pattern of the batik he or she wore.

Pesisir Batik (Coastal Batik)

Pesisir batik is created and produced by several areas on the northern coast of Java and on Madura. As a consequence of maritime trading, the Pesisir batik tradition was more open to foreign influences in textile design, coloring, and motifs, in contrast to inland batik, which was relatively independent of outside influences. For example, Pesisir batik utilizes vivid colors and Chinese motifs such as clouds, phoenix, dragon, qilin, lotus, peony, and floral patterns.

Indonesian Batik from other areas

Priangan Batik or Sundanese Batik is the term proposed to identify various batik cloths produced in the "Priangan" region, a cultural region in West Java and Northwest Java (Banten). Traditionally this type of batik is produced by Sundanese people in the several district of West Java such as Ciamis, Garut, an Tasikmalaya; however it also encompasses Kuningan Batik which demonstrate Cirebon Batik influences, and also Banten Batik that developed quite independently and have its own unique motifs. The motifs of Priangan batik are visually naturalistic and strongly inspired by flora (flowers and swirling plants) and fauna (birds especially peacock and butterfly). The variants and production centers of Priangan Batik are:

Javanese Kraton Batik (Javanese court Batik)

Javanese kraton (court) Batik is the oldest batik tradition known in Java. Also known as Batik Pedalaman (inland batik) in contrast with Batik Pesisiran (coastal batik). This type of batik has earthy color tones such as black, brown, and dark yellow (sogan), sometimes against a white background. The motifs of traditional court batik have symbolic meanings. Some designs are restricted: larger motifs can only be worn by royalty; and certain motifs are not suitable for women, or for specific occasions (e.g., weddings).

The palace courts (keratonan) in two cities in central Java are known for preserving and fostering batik traditions: